Srinivas, Sujay Shastry and Vineeth deserve a special mention. While the length of the film may prove to be a hurdle, the film makes up for that in its casting. And it isn't the length alone - one also is left wondering if the drag is because the filmmaker has decided to simplify the audience's understanding of the plot by spelling everything out rather than leaving something to them to decipher. The film has some quirky ways of narrative, but one cannot help but wonder towards the end of the film whether the film is a little longer than it should me.
There is something to hope for when young filmmakers helm whodunnit mysteries with a noir touch to them. Will he be able to solve this murky mystery? Also, the long-winding narrative reveals the reasoning behind calling the film Birbal and who Vajramuni is, eventually. But a clever young lawyer takes interest in the case when he learns that the accused could be innocent. When an innocent youngster is framed in the murder by cops to ensure they close the case quickly, it seems like this is the end of the case. The film begins with a cab driver, who is also a police informant. Has it proved to be equally entertaining? Yes, to a large extent, though one would have wished it were a tad shorter to ensure the thriller remained pacy right through. This time, Srinivas has chosen to take on a thriller and what he calls the first in his trilogy series. The first outing, Srinivasa Kalyana, was a fun rom-com loaded with witticisms that proved to be popular with youngsters. RJ-turned-filmmaker-turned-hero MG Srinivas makes his second outing on the big screen with this thriller. But will this case prove to be too much to take on? Eight years later, a sharp and quick-witted lawyer named Mahesh Dass lands this case and wants to help prove the youngster's innocence. In 2000, an innocent bar employee was framed as the main accused in a gruesome murder of a cab driver.
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